Durham's first micropub

With pubs - like 'The Sally'  (see previous post) - closing at an alarming rate across the country, it's reassuring when a new establishment appears in the locale, especially when it's one as good as Durham's first 'micropub', The Station House, which opened in December 2015 at 43 North Road (NGR NZ 26902 42677). Previously the premises of the interior design business, Middleton Design, this is the unusual triangular corner property at the angle of North Road and Station Approach. Situated immediately north-west of the railway viaduct, it's a property which is very much in the shadow of the city's most prominent industrial era monument.  











View of The Station House micropub at the angle of Station Approach and North Road,
with Station Approach (part of Castle Chare before the viaduct was built) to the left of view, passing through an arch of  the railway viaduct and winding up to the current railway station.
Both the station and viaduct were built on a branch railway line (which opened in 1857)
from Bishop Auckland, rather than on the early 'main line' through County Durham; note that
the pub's hanging sign had yet to be painted (photograph taken March 2016).



I remembered that, before the aforementioned interior design business, this property had at one time been a newsagent's corner shop, while a dimmer recollection was that at least part of it may have been a hairdressers. When you can't quite remember things like this, often the best place to look is the fantastic series of volumes of historic photographs that Michael Richardson has compiled over the years as part of the Gilesgate Archive project (see introductory post). Sure enough, Durham City in Colour 1960-1970 (page 70) has a view (from 1970) taken from outside The Bridge Hotel, looking down North Road (almost exactly the same view as my photograph above). The photograph caption notes how the property (or perhaps more accurately, its main two-storey portion) was at that time 'Telfer's', a tobacconist and fishing tackle manufacturer, a business which later moved across Durham to Claypath. It was presumably sometime later that this part of the property became the newsagent's shop that I remember. 

As for the hairdressers, the answer came from the Durham Photographic Society's Durham Then & Now volume, which compares (page 25) photographs of similar views down North Road from c. 1970 and 1999. The later of these photographs confirmed my suspicion that what is now the single-storey south-eastern outshut part of the property had indeed been a hairdressers, with its sign 'David's Hair Stylist' encroaching onto the main building. Interestingly, the c. 1970 photograph indicates that the same business occupied that part of the property, as well as an adjacent single-storey building standing directly below the line of the viaduct, backing onto one its piers;  then with a  more extensive frontage, the business also had a different and longer sign, 'David's Modern Hair Stylist'. It was the construction of the North Road roundabout in c. 1970 which  necessitated demolition of the main part of the hairdressers, directly beneath the viaduct, along with two adjacent buildings further down North Road (to the south-east), the south-easternmost being an imposing three-storey Sam Smith's pub, The Station Hotel (as opposed to The Station House). The existing end wall of the outshut (comprising 'modern' brickwork) was presumably built following demolition of the main part of the hairdressers.

But what about the date of origin of the main part(s) of the Station House building? Although the property is now part-rendered and mostly over-painted, some clues to its date of origin remain in the structural fabric.  The unpainted brickwork visible in the south-eastern gable end looks, broadly, to be of 'late 18th- or early to mid 19th-century' date, so the building can be perhaps broadly dated as 'late Georgian'. Such a date would not be out of place, as Durham certainly has many brick houses of the Georgian era on its older streets, for example the Baileys, South Street, Crossgate and Old Elvet.

What about looking at historic mapping and illustrations in an attempt to date the building or at least illuminate some of its historical development? The 1838/39 Tithe map of 'Framwellgate township' (below, Durham University Library Archives and Special Collections reference DDR/EA/TTH/1/101) demonstrates that The Station House plot was already developed in the earliest years of the Victorian era, some 20 years before a railway line was brought into the city centre. As far as you can make out on the Tithe map, there is certainly a suggestion that more than one, possibly three, adjoining buildings stood at the angle of 'New Road' (North Road) and 'Castle Chair' (Castle Chare). While the corner of the north-westernmost building is depicted with a 'pointed' end, this may not have been an entirely accurate representation of its form. The angle of North Road and Castle Chare had been created when North Road was built in 1831 to improve the 'Great North Road' (Framwellgate was previously the only route out northwards out of the city), hence its naming as 'New Road'.



Extract from the 1838/39 Tithe map of Framwellgate township (not aligned north-south). 
The area of the Station House plot, circled red,  is located in the angle of 'New Road',
now North Road, and 'Castle Chair', the westernmost part of which survives today
as Station Approach. The eastern part of 'Castle Chair', now Castle Chare,
lies beyond the cutting for the road that now links NorthRoad roundabout and
Milburngate Bridge, all these being modern era features.

An illustration (below) from the early 1840s, by the architect/painter Robert William Billings,  appears to depict a building, recognisable by its distinctive straight, narrow corner end  on the Station House plot. As depicted, the first floor window looks to be a six-over-six sash (i.e. six small panes in each of the sliding upper and lower parts of the lower window), while the ground floor window, from the small portion that can be discerned, may be the same; the six-over-six sash is of course a quintessentially Georgian feature of residential architecture.




Extract from an illustration by Robert William Billings (1813-1874), looking down
North Road towards the Castle and Cathedral from Illustrations of the Architectural
Antiquities of the County of Durham (1846). The building depicted with the narrow
corner end, with ground and first floor windows, 'behind' (left of) the wagon
approaching the viewer, appears to occupy the Station House plot.

Several photographs, thought to be  some of  the earliest of Durham,  were taken c. 1855 while the railway viaduct was under construction; those looking down North Road (including one below from c. 1855) appear to show the same building on the Station House plot as depicted by R.W. Billings in the 1840s. The first floor window in the end of the building has at least six upper lights, but it's not clear if this is part of a six-over-six sash, and the ground floor window is not visible at all.

Very early photograph of Durham,  from c. 1855, with the railway viaduct in the early stages
of its construction. This evidently shows the same building on The Station House plot as
R.W. Billings had depicted on his earlier illustration. The building to the right of
view is The Bridge Hotel, minus its roof and undergoing development at the
time (the existing building has an additional storey in brick).

The first edition Ordnance Survey map of c. 1860 (below), shows the railway viaduct and station in place. Immediately adjacent to and north-west of the viaduct, in the angle of North Road and what was by then the sloping approach road to the station, is the Station House plot. This map indicates that the plot was evidently occupied by a  single, triangular property with, in similar fashion to the existing building, a narrow, straight corner end to the north-west.



Extract from the first edition Ordnance Survey map of c. 1860. Built c. 1855-57, the
railway viaduct and station are shown, along with the property on the Station House
plot (circled red), immediately north-west of the line of the viaduct. South-east of the
viaduct, on the same side of North Road, is a detached building, possibly 'Hylton
House' (this may be the end building of the set-back row). On the other side of
the road is The Bridge Hotel.

Thus, the maps and illustrations discussed so far do not appear to provide any strong evidence to indicate that the building depicted up to c. 1860  does not form some, if not the majority, of the structural fabric of the current property. The postulated late Georgian origin for the main part of the Station House building could, therefore, be correct.

Mapping after the first edition Ordnance Survey provides evidence of modifications to the property undertaken in the second half of the 19th century and first quarter of the 20th century. By the second edition Ordnance Survey map in the mid 1890s (below), two separate structural additions had been added at the south-eastern end of the property. These may have possibly continued below the line of the viaduct, although they do not appear to have joined-up with 'block' of two properties which stood south-east of the viaduct on North Road (one of these being The Station Hotel pub).

 

Extract from the second edition Ordnance Survey map of 1896. The Station House plot,
circled red, is evidently occupied, as on the first edition, by a single triangular property, 
with two separate structural additions having been added at its south-eastern end.
These may have continued below the line of the viaduct, but this is not certain
and they certainly do not join up with the properties south-east of the viaduct
on North Road, one of which was The Station Hotel pub (P.H.).

With the current property part-rendered and mostly over-painted, the 1970 photograph of 'Telfer's' is particularly useful as it shows the unpainted frontage brickwork and the sandstone window cills and heads, the latter formed by voussoirs in flat arches. In addition,  structural details can be discerned which are no longer obvious or indeed, evident at all. Firstly though, what is abundantly clear from the 1970 photograph is that, although Telfer's occupied essentially the same building as The Station House (with the exception of the eastern outshut), the shop encompassed what had evidently been two distinct, although physically joined, properties. This is supported by the third edition Ordnance Survey map of 1919 (below), which indicates that, by that date, the main building on the plot had been sub-divided into two parts, possibly to create two shops. Whether or not the building had always had two parts is not clear; there are no indications of this having been the case in the mapping so far discussed.



Extract from the third edition Ordnance Survey map of 1919. In a variation from the previous editions, the main building on the Station House plot, circled red, is depicted as having been sub-divided into two parts, probably two shops. Another small building had been added east of
the line of the viaduct, set back from the frontage, so that all the buildings in the 'block'
may then have been joined.

 

Certainly, by 1970, the shop front of Telfer's straddled two amalgamated properties, with a roughly central doorway, as remains the case in The Station House, where the front door crosses the junction of the two parts. Another doorway, evident at the south-eastern end of the frontage of Telfer's, has since been bricked-up and is no longer evident at all in the over-painted frontage brickwork of The Station House (although it is obvious where it was from the interior).

It is perhaps reasonable to assume that at one time, probably after the pre-1919 sub-division, the two parts of the current building may have existed as two separate shops, presumably each with its own shop front and adjacent doorway to the south-east. I thought about looking closely at the 19th- and early 20th-century trade directories to see if this could shed any light on whether or not two distinct shops or businesses did indeed ever operate in the main, two-storey part of the current building. The problem is, I don't trust the numbering, both current and historic, of the buildings on North Road. For example, The Station House is 43 North Road, while on the opposite side of the road, Domino's Pizza (in three separate buildings) is 41-43 North Road. Next door to Domino's, The Bridge Hotel is, and seems to have always been, No. 40 and I assume that is probably the (modern?) origin of the numbering for Domino's. This probably suggests that it is safe to assume that No. 43 was, historically, at least one of the buildings on the Station House plot; certainly the now-demolished Station Hotel, which was 'two doors down', was seemingly always No. 45, at least according to the 19th- century directories that I looked at. In these, a shoe-maker, John Merchant, was evidently a long-term occupant of No. 43 during most of the second half of the 19th century, while, by 1914, a Miss Katharine Walsh evidently ran a sweet shop at No. 43. That, however, is as far as I want to take that source of information, for the reason outlined, at least for the moment.

A couple of other things are worthy of note having looked at both the 1970 photograph of the two amalgamated shops which formed Telfer's at the time and the current standing building. The first is that in the street frontage elevation, there are the remains of two stacks of quoins, one on the ground floor of the north-western part (or shop) (but not at the end corner and not rising to the full height of the floor), the other in the first floor of the south-eastern part (or shop). The location of the quoin stack in the north-western part, as well as the fact that its 'teeth' are to the north-west, could indicate that the corner end of the building may be the remains of a now mostly demolished building that previously continued to the north-west. If true, this may indicate that that building (or at least most of it) met is demise when 'Castle Chair' (Castle Chare) was built  to join up with North Road. The presence of the quoin stack in the first floor of the south-eastern part could indicate that this was once the exposed corner of that building and, indeed, the presence of both quoin stacks may indicate that the north-western part of the current building, or at least the part between the two quoins stacks, is actually an 'infill' between two earlier buildings.

Of course, while little or none of this supposition is supported by the map evidence, that doesn't necessarily mean it is incorrect. I don't have any idea what was on the plot before the Tithe map, and with around 10 years between that and the first edition Ordnance Survey map, then around 40 years between the first and second editions of the Ordnance Survey map and then more than 20 years between the second and third editions, there is plenty of scope for episodes of development to have occurred which are not apparent from the map evidence. Also, I don't know if Castle Chare was built prior to, contemporary with, or subsequent to North Road, and only the last of these would really allow for most of a former building to the north-west to have been demolished so that just its corner end survived, now amalgamated into the narrow corner end of the existing building.

The second thing of note that is obvious by comparing the 1970 photograph of Telfer's and the current building is that the ground floor window in the narrow corner end has been bricked-up since 1970. This is unfortunate, as the window had an ornate stone surround which seems to have been partly removed. In contrast though, the first floor end window on the frontage was already bricked-up in 1970, and this feature may be able to provide some evidence for  a date of construction of some (or most) of the building.

The bricked-up window in the first floor of the frontage likely means one of two things. Firstly, one version of the infamous Window Tax, administered over 150 years between the late 17th century and the mid 19th century (very little well-researched information appears to be available online about the Window Tax, but Andrew Glantz's superb 2008 paper looks the ticket; Glantz includes references to other important secondary sources on the subject).  The Window Tax was first imposed in 1696, during the reign of William III, to finance what was known as the 'Great Recoinage', in essence the replacement of old hammered coins, that had become very worn and been repeatedly clipped, with new milled coins. Always a banded tax, based on the number of windows in a house, the Window Tax saw several modifications before being finally repealed in 1851; some adjustments were linked to military campaigns, such as in 1758 and 1761 when the rates were increased to help fund the Seven Years War. As Glantz succinctly puts it "The tax code reached its highest degree of complexity in 1808 under Spencer Perceval" (Perceval is perhaps most famous for being the only British Prime Minister to have been assassinated; the culprit was a disgruntled businessman, John Bellingham, but the reason was nothing to do with the labyrinthine version of the Window Tax which came in under Perceval). In summary, the 1808 version of the Window Tax saw the lowest band for taxation being six windows (therefore houses with less than six were exempt). A subsequent adjustment, in 1825, saw all houses with less than seven windows become exempt. 

Either of these versions of the Window Tax from the first decades of the 19th century could, potentially, have been the cause of the first floor frontage window in the property being bricked-up. There is, however, the complication that we don't know how many windows the house/shop that had its window bricked-up actually had, not least because of the waters being rather muddied by the possibility just raised that this part of the building may have been a later 'infill'.  For it's worth, as far as you can make out in the 1970 photograph, the brickwork in the blocked first floor window of Telfer's looks very similar to that of the main fabric, which may suggest that the bricking-up took place fairly soon after construction. Therefore, if either of the 1808 or 1825 versions of the Window Tax was indeed the reason for the bricking-up, a late Georgian, potentially Regency, date of construction is possible.

As to the second possible reason behind the bricking-up of the window in the first floor of the frontage of the building, it may simply have been a design feature. While so-called 'blind' windows were a fairly common feature of residential Georgian architecture, the technique was mostly employed as an element of design, in simple terms, for the purpose of 'symmetry', which is perhaps difficult to see in this particular instance.

Other things of note that have happened to the property since the 1970s include: it has lost two brick chimneys to the rear, with just one remaining; a small window under the eaves of the south-eastern gable end has been blocked, and; all the original sash windows in the first floor have been replaced in uPVC. The current main shop front windows have been installed as part of the refit for the micropub, and very nice they are too.

Today, the bricked-up ground floor window in the narrow corner end of The Station House has a small sign to the railway station on it, one that is rather more subtle than the huge 'TO RAILWAY STATION' sign once affixed to the viaduct pier on Station Approach, as shown on another photograph, this from c. 1969, in Durham City in Colour 1960-1970 (page 71).

As mentioned, The Station House lies immediately adjacent to Durham's Grade II-listed (List Entry 1322851) railway viaduct. This monumental structure, comprising 11 semi-circular arches each approximately 18m wide and 23m high, is generally thought to have been designed by Thomas Elliot Harrison (1808-1888), engineer-in-chief of the North Eastern Railway (formed 1854),  likely working in collaboration with engineer/contractor Richard Cail (1812-1893). It was built in the 1850s, along with the current  railway station, then the terminus of a branch line from Bishop Auckland which opened in 1857. Durham's first station (in the city, there was an earlier one in Shincliffe) was the one on Gilesgate, that being the terminus of a branch line from Belmont on the  Darlington to Gateshead line via Leamside, this being essentially the original ‘East Coast’ main line built in the early 1840s. The current railway station did not become part of the new (and current) main line until, firstly, it was linked, near Newton Hall, to a line from Newcastle along the Team Valley in the late 1860s, then, secondly, when it was linked in the early 1870s by a new line laid to the south from Relly Junction, near Neville's Cross, which joined the original main line at Tursdale, north of Ferryhill.



View looking roughly south-west along the north side of Durham's railway viaduct,
taken from outside The Station House. Note the brick arch soffits contrasting with
the sandstone piers and abutments. The brick gable end to the right of view is
that of 36 North Road, now Partners hairdressers (photograph taken March 2016).

I understand that a second micropub is soon to open in Durham, this one on the north-bound platform of the railway station itself. Let's hope the new venue is as good as The Station House, which is well worth a visit if you like great real ale and/or cider and a friendly welcome. Whether or not the historical development of that premises is quite as complicated as The Station House's seems to be remains to be seen.

 

 

 

 

 

Greetings....and goodbye: The Salutation

Greetings!  - the 'firm handshake' sign of The Salutation at the time of
its closure and refurbishment (photograph taken January 2016).

It’s always rather sad to see a local pub close, even when the venue concerned is one you never frequented on anything like a regular basis. Closure was, however, the fate, in late 2015, of 'The Sally', more properly The Salutation Inn (NZ 26405 44295), on Finchale Road, Framwellgate Moor.

First, a note on Framwellgate Moor: while ‘Fram’ is today regarded very much as a suburb of Durham, in the post-medieval period it was the outlying rural margin of 'Framwellgate township' extending north-west from the core of the city (earlier still, medieval Durham comprised a group of largely independent city boroughs around the fortified peninsula, one of which - the Bishop's Borough - encompassed the Framwellgate/Sidegate area immediately north-west of the peninsula). When Framwellgate Moor Colliery opened in c. 1838, Framwellgate Moor essentially developed as a colliery village alongside the Durham to Newcastle section of the ‘Great North Road’ (now Front Street); the colliery lay to the east of Front Street, the area now covered by the north-western end of the vast Newton Hall estate (once the largest housing estate in Europe I believe).

Anyway, I don’t know what it was about ‘The Sally’, but a succession of tenants came and went in recent years, none of who could evidently make the place work and the owner, Enterprise Inns, decided to call time. At the moment, the pub is in the process of being converted by its new owner, Sansec Developments, into ground floor shop units with a couple of flats above (Durham County Council planning application reference DM/15/01606/FPA).

View of The Salutation following its closure (photograph taken January 2016), 
looking south-west from the east side of what was once part of the Great North Road.

The tall, slightly wonky pole on the pavement adjacent to the Salutation plot, centre left
of view, is part of a radio transmitting base station, i.e. a mobile phone mast. It's owned
by Hutchison 3G UK Limited (better known as 'Three', a subsidiary of Hutchison Whampoa; company slogan "when stuff sucks #makeitright") and EE Limited (a subsidiary of the BT Group).

Another view of The Salutation during its refurbishment (photograph taken January 2016),
this looking south-east from the north side of Durham Moor, the link road between
Front Street and the New College mini-roundabout.

Another view of The Salutation during its refurbishment (photograph taken January 2016), 
this looking north-west from the south side of Finchale Road; the adjacent housing,
Dryburn View (built at the very end of the 19th century or early years of the
20th century), is just visible, left of view.
 

There is nothing remotely historic or indeed particularly interesting about the Salutation building that is being refurbished (it dates to c. 1960 according to press coverage when its potential closure was looming). However, the corner plot in which it stands has evidently been the site of a pub of this name since the 1840s. The first building stood further to the east, in the corner of the plot, so that it fronted onto what was then the main road, the aforementioned Great North Road.

Another note, this on the route of the Great North Road as it ran north from Durham city centre in the post-medieval period. Until North Road was built in the early 1830s, the Great North Road was the ancient street of Framwellgate (see Armstrong's map of 1776, below), continuing as Framwellgate Peth, then running past Aykley Heads (basically following the same line as the modern road which skirts County Hall and runs up to Aykley Heads). It then ran almost due north along the line of what are now Durham Road, High Carr Road and Front Street, Framwellgate Moor, and on to Pity Me and then Plawsworth.
 






From Mostyn John Armstrong's map of 1776 (from 'An Actual Survey of the Great Post
Roads between London and Edinburgh'), this an extract of the road between Rushyford
and Plawsworth in County Durham. The Great North Road is shown running almost due
north out of Durham to Plawsworth, passing Aykley Heads ('Aycliffe head') and
crossing Framwellgate Moor (part of 'Durham Moor').

 

The 1838/39 Tithe map of Framwellgate township (Durham University Library Archives and Special Collections reference DDR/EA/TTH/1/101), indicates that the corner plot in which the original Salutation stood was then entirely undeveloped. It was the quadrangular ‘Corner Allotment’, covering an area of 1 acre, 3 roods and 16 perches (an acre is 4,840 square yards or, in today’s money, c. 4,047 square metres, while a rood was 1/4 of an acre and a perch was 1/40th of a rood, or 1/160th of an acre). Farmed by a John Ainsley, the plot was owned, along with a great deal of land in the area, by Reverend Robert Hopper Williamson (1784-1865). The historical directories that I have to hand indicate that The Salutation was built in the 1840s; a pub of that name was present in Framwellgate Moor in 1847. It is certainly present on the first edition Ordnance Survey map of c. 1860, by which time the roadside colliery village to the north was relatively well-developed.




Detail of the crossroads of the Great North Road and (what is now) Finchale Road
from the first edition Ordnance Survey map of c. 1860; The Salutation (P.H.) (public
house) occupies the corner plot on the north-west side of the junction.
A century after this map was drawn, the farm to the south-east,
High Carr House, became Durham Fire Station.
 

The main building of the original pub was evidently L-shaped (the building numbered 482 on the Ordnance Survey map), occupying the south-eastern corner of the plot, with an attached building on its north side, along the main road, and what look like two smaller structures at its south-west corner, on Finchale Road (although this road is not named on the map). In addition, an unattached outbuilding stood in the north-western corner of its back yard. The whole complex, probably walled to the west and north, took up only a small portion of the corner allotment as depicted on the Tithe map (two other parts of that plot are numbered 481 and 483, with two parts unnumbered). Of note on the main building is an Ordnance Survey Bench Mark  (value 343.9 feet, or c. 104.82 metres above OD) at the north end of its east-facing elevation. The ‘victualler’ of the establishment in 1851 was a John Blackburn, according to Hagar and Cos. Directory of County Durham and its succession of landlords can be traced through the aforementioned historical directories, compiled in the 19th and early 20th centuries.

Diagonally across the road junction on the first edition Ordnance Survey map was a farm, High Carr House, this the site of, from the late 1950s, Durham fire station (technically the headquarters of the County Durham and Darlington Fire and Rescue Service), which was itself demolished in 2014 and is now being redeveloped for housing by Bett (now Avant) Homes (to replace the Finchale Road fire station, the new Durham Community Fire Station, sited on the A691 at Sniperley, officially opened in March 2015).

As a pub name, The Salutation was by no means a Victorian introduction. In his short, but rather wonderful, English Inn and Tavern Names (Centre for English Name Studies, University of Nottingham 1994) Barrie Cox gives the first documentary reference to a pub (or rather, inn) of this name as 1754, an establishment in Tetbury, Gloucestershire pages 24 and 91), although Cox notes (page 100) that a hostelry of this name was mentioned in Samuel Pepys' diary, compiled in the mid 17th century. Cox thought that name simply referred to a common drinking toast or landlord’s greeting, rather than being drawn from a biblical theme, specifically the greeting and proclamation of the Archangel Gabriel to the Virgin Mary, which is the suggested origin of the name in The Dictionary of Pub Names (Wordsworth Reference Series 2006, page 341). It was certainly a fairly common name for a pub in the region at the time the Salutation opened in Framwellgate Moor; for example, Kelly and Co.'s Post Office Directory for Northumberland and Durham for 1858 lists pubs of this name in Ryhope, Billingham, Tynemouth and Shoreswood (north Northumberland), while Newcastle had the rather oddly-named 'Turf and Salutation' on Pudding Chare, off Westgate Street (Road).

East-facing gable end of The Salutation during its refurbishment (photograph taken January
2016), looking WSW from the adjacent pavement; the wall-mounted 'firm handshake'
sign is repeated on a stand-alone sign in the eastern car park (first and second images).
Note that the removed lettering has left some 'ghost' signage and the clock stopped at 9.35.

Judging by the historic Ordnance Survey mapping  sequence that I’ve seen, it looks like the original Salutation building in Framwellgate Moor was never substantially altered before being demolished for the new/existing building, although its ancillary structures appear to have seen some amendments, some components - particularly at the south-western corner - possibly more fully incorporated into the main building.

I assume that the c. 1960 rebuild of The Salutation saw the front entrance moved to the north side largely due to the creation of what was a new link road, now called Durham Moor, between Durham Moor Houses/'Blackie Boy' roundabout and the south end of Front Street, this part of the realignment of the Great North Road undertaken prior to the Second World War. The set-back housing along the north side of Durham Moor, St. Cuthbert’s Avenue and the few detached properties to the east, was largely built before the War. The portion of the old route of the Great North Road which skirts the Salutation plot to the east has long been reduced to a narrow bus lane, linking Front Street to the High Carr Road/Finchale Road mini-roundabout.

As a final thought, I don’t recall ever seeing a photograph of the original 'Sally', surely there must be one in existence?

Grey towers of Durham

For the most part, this blog won't feature the more well-known architecture and land in Durham, as plenty and more has been written on that. But Prebends' Bridge (NZ 27145 41856) is a such a special place that I feel that it really has to feature as the first post here. No apologies for that.
 




 

View of Prebends' Bridge from upstream beyond the weir between the two former
mills (the former corn mill is right of view); the third arch lies left of view,
largely hidden by trees on the riverbank (photograph taken mid afternoon 10 February 2016).
Note the University students rowing between the bridge and the weir.

Prebends’ Bridge (the spelling appears variously as Prebends, Prebend's and Prebends', the last, I think, is correct) is a Grade I listed building (List Entry 1121354) and a scheduled monument (List Entry 1002337). It was built in the 1770s (most sources say 1772-78) from designs by George Nicholson, architect and clerk of works to the Dean and Chapter. A previous bridge, of probable 17th-century date, was destroyed by a catastrophic flood in 1771 (its abutment is still just visible on the west bank of the river, upstream from the existing structure).

Extract from John Wood's map of Durham from 1820.
Note that Prebends' Bridge is simply annotated 'New Bridge', with the riverbank
footpath leading to it from the Cathedral named 'Prebends Walk'.

Built in coursed squared sandstone and ashlar with three semi-circular arches, Prebends’ Bridge spans the deeply incised gorge of the River Wear on the western side of its peninsula loop in Durham. Standing approximately 12m above water level, perhaps its most interesting features, to me anyway, are the paired recessed refuges in each parapet. These are created by having semi-hexagonal projections rising to full bridge height above the cutwaters of the two river piers on each side. Another noteworthy feature, which many visitors probably miss, is the series of stone drains which protrude from the outer bridge faces at road bed level. The bridge is on the Heritage at Risk Register maintained by Historic England, due to the extent of physical deterioration of its masonry and a programme of remediation is on-going.

On the angled north parapet of the bridge, towards its western end, is an inscription of the words of Sir Walter Scott, taken from his 1817 poem Harold the Dauntless. Inspired by the Viking legends of the Berserkers, Scott reputedly described the poem - evidently his last long narrative verse - as "a strange, rude story" (it features the ghost of Harold's father, the Norse King Witikind). The Prebends' Bridge inscription reads:

GREY TOWERS OF DVRHAM
YET WELL I LOVE THY MIXED AND MASSIVE PILES
HALF CHVRCH OF GOD HALF CASTLE ‘GAINST THE SCOT
AND LONG TO ROAM THESE VENERABLE AISLES
WITH RECORDS STORED OF DEEDS LONG SINCE FORGOT

The Scott inscription on the north parapet of Prebends' Bridge
(photograph taken 10 February 2016).

The view up river to the north from the west end of the bridge was captured as a watercolour by J.M.W. Turner in about 1836. This famous atmospheric work, with the Cathedral rising above the wooded river gorge, was produced to be engraved as an illustration in Turner’s Picturesque Views in England and Wales. The watercolour was based on sketches made by Turner on several earlier visits to Durham, the last thought to be in 1817.

 



View up river to the north from Prebends' Bridge (photograph taken mid afternoon 10 February 2016); while the wooded river gorge is in deepening shadow, the Cathedral remains brightly
illuminated by the late winter sun; Framwellgate Bridge spans the Wear in the distance.
.

 

Turner’s famous watercolour can be found online elsewhere; I'll end with a lesser known illustration of Prebends' Bridge.

This illustration of Prebends' Bridge and the Cathedral beyond supposedly dates
 to the early 19th century, though its precise date and the identity of the illustrator
are unknown. Note the fisherman on the riverbank in the foreground.

Welcome

This blog 'Durham: Land, Buildings & Other Structures' will feature - by text, photography and extracts from documentary material - various pieces of land, standing buildings and assorted other structures in the historic city of Durham, England. The blog is in no way intended to be a comprehensive catalogue of such features, it's just a fairly random series of posts on things that happen to be of interest to me. I hope you enjoy the content.


Note on sources. As well as using the internet for information, which is clearly of variable quality, a great deal of my information is taken from a modest collection of books about Durham that I have accumulated over the years:

Clack, P., 1985. The Book of Durham City, Barracuda Books.

Pete Clack's book was one of the first (see Nelson, 1974, below) that I was aware of to include a collection of historical photographs of Durham. In 1983, I worked - as a volunteer - for Pete on his seasonal archaeological excavation at the Prior's manor house, Beurepaire, at Bear Park.

Dufferwiel, M., 1996. Durham. A thousand years of history and legend, Mainstream Publishing.

By his own admission, Martin Dufferwiel's book is not meant to be a definitive historical work, but it has a lovely narrative style which brings some often dry history vividly to life.

Durham Photographic Society, 1999. Durham Then & Now, Tempus Publishing.

In a similar vein to local historian Michael Richardson's on-going series of compilations of historic photographs (see below), this volume is particularly interesting in that it compared then current views of Durham with those seen in historic photographs (with some of the current views now looking rather historic in themselves).

Gradon, H.T., 1883. The Ancient City of Durham.

In addition to his photographic collections, Michael Richardson was able to reprint Henry Gradon's rare volume through Amberley Publishing in 2009, this being the version I have.

Nelson, I., 1974. Durham As It Was, Hendon Publishing.

An early collection of historic photographs of Durham, with detailed captions containing much useful information. Very much the forerunner of Michael Richardson's on-going series of photographic compilations (see below).

Pevsner, N., 1983. The Buildings of England. County Durham, 2nd edition (revised by E. Williamson), Penguin Books.

A faithful and trusted volume which has seen much use, my 'Pevsner' is the 1985 reprint (with corrections) of the 2nd edition.

In association with his Gilesgate Archive project, Michael Richardson has produced a superb series of collections of historic photographs of Durham. The ones I have and use for information are:

Memory Lane Durham City, 2000, Breedon Books Publishing.

Durham - The Photographic Collection, 2002, Sutton Publishing (this a compilation of two earlier volumes, Durham People in Old Photographs (1994) and Durham at Work (1995)).

Durham City New Discoveries, 2010, Derby Books Publishing.

(with Michelle Richardson) Durham City in Colour 1960-1970, 2011, Amberley Publishing.